Collectability - Page one
Just what does constitute a collectable receiver?
Not an easy question to answer accurately because there are so many aspects to this hobby and each collector will have a different idea of what they believe is worthwhile to preserve. Check the first picture in the right hand column. This receiver made by King Radio Company in the United States was one of the last of the first breed of domestic radios, where bank of three or four Emmco style tuning dials gave way to the single, often illuminated, dial scale. This receiver would be from around 1928 though this is a guess. By the way, I cannot find any information on the web about the company that made this set. Chances are that they may have only been in business for a short time. Companies like RCA, Atwater Kent and Philco tended to dominate the domestic scene in the US.
Receivers that come as highly collectable are receivers like the King. Coffin shaped sets generally sporting a row of four to five knobs, most of them dealing with the tuning of the set. These sets didn't have their own speakers. Instead they were connected to either a set of bakelite headphones or an external horn speaker. Either way, the sound quality, while clear, was dreadfully 'tinny' and you'd not have spent all day listening to it. These radios rarely come cheaply. A working set from the 1920's will easily cost $1000 or more and don't be surprised to see prices as high as $2000 for them.
In the early 1930's the shape of sets started to change dramatically. Most sets in the early 1930's took on an upright look and were often known as 'cathedral', 'gothic', or 'tombstone' sets because of the shape. I actually find these sets slightly more collectable because they are less common than the 1920's sets and general cost more too! Receivers from the 1930's adopted the first cone speakers and had good quality sound, similar to what was to be the norm for the rest of the valve era. I have seen these sets with price tags ranging from $750 for an American set upto $2500 for an Australian Airzone.
Among the most collectable radios are the AWA Fisk Radiolettes with the 'Empire State' cabinets. Mostly priced at around $1250, these receivers are at home in any collection and there isn't a collector on earth that wouldn't welcome one (or more!). I'd love one of each colour, and the wooden versions too of course.
We move into the 1940's and this is probably the era where sound quality and receiver design were at a peak. Australian manufacturers had a virtually 100% market dominance here because imports by commercial operations were banned to protect the industry. Because of this the manufacturers could afford to offer quality sets at a price they dictated. Any receiver from this era is worth saving. Sets can go for between $200 and $500, depending on things like condition and colour. Sets that are blue or green will tend to fetch a higher price than the brown ones.
The late 1940's and all through the 1950's was the era of minaturisation. The little four valve mantel sets came into vogue and thousands of them are out there waiting to be found. Mantel receivers were usally either brown or white, like their larger cousins but often the manufacturers did limited runs of beige, pink, red, orange, green and blue and on the odd occasions marbled textures to compliment the colour range. If the opportunity arises, get a coloured set before a brown one of the same kind. The return on investment is higher.
At the end of the 1950's things changed rapidly in the radio industry. Bakelite gave way to plastic for cabinets. It was a bad time, though not seen until radios began to become collector's items. The heat from valves tended to warp or craze the new thermoplastic materials used to make the cabinets. The other thing was that some overseas brands started offering receivers again, despite sky-high import tariffs and to compete, the local manufacturers started building their sets to a price instead of a standard. The next big change during the 1960's was transistorisation. This was the saviour of those delicate plastic cabinets but the chrisma and appeal of receivers had gone. The golden age of radio was over and this era of receivers, while still certainly collectable to some, especially those who choose to collect transistorised sets, is not as appealing to me as earlier sets.
Which page would you like to go to?
Time and Date
Official time: 01:07 (GMT + 10)
Recent Forum Activity
Front Page: Captgogo here.
Articles and Tutorials
These tutorials and articles contain a lot of worthwhile information relating to specific aspects of vintage radio and television. I recommend a read of these though some of them are quite large. You might need a cuppa tea and a few hours to get through them all in one hit. NOTE: Some of these articles are written by members of Vintage Radio and Television and where this is the case credit has been given.
Collectability of vintage radios
Knowing how to date old radios
The listener's licence and the sealed set
Batteries used in valve radios
Safety with electricity
Valve radio model life cycles
The brands of antique radios
The survivors - Where are they now?
Replicas and outright pretenders
Restoring a 1950 Airzone Cub
Restoration of an ARC Victor (by Pentagrid)
AWA Radiolette v's Pure One
Create a taskbar shortcut to Vintage Radio & Television
Restoring a Vogue console radio (by Fred Lever)
Vintage Radio and Television's glossary contains the definitions for dozens of words and phrases.
To view older threads please visit the Vintage Radio and Television archive.
On our free links page there are dozens of other vintage radio-related websites which may be of interest to you. Everything from national vintage radio clubs to personal and business websites is included. Outside links.
Vintage Radio and Television is proudly brought to you by an era where things were built with pride and made to last.
DISCLAIMER: Valve radios and televisions contain voltages that can deliver lethal shocks. You should not attempt to work on a valve radio or other electrical appliances unless you know exactly what you are doing and have gained some experience with electronics and working around high voltages. The owner, administrators and staff of Vintage Radio & Television will accept no liability for any damage, injury or loss of life that comes as a result of your use or mis-use of information on this website. Please read our Safety Warning before using this website.
WARNING: Under no circumstances should you ever apply power to a vintage radio, television or other electrical appliance you have acquired without first having it checked and serviced by an experienced person. Also, at no time should any appliance be connected to an electricity supply if the power cord is damaged. If in doubt, do not apply power.
Unique visitors: .
There are four documents that members and visitors should read before using this website. These are the documents that govern the use of the site and the provisions within apply at all times, regardless of whether the documents have been read or not.
Supported Web Browsers
This website will generally support the most recent version of the six commonly used web browsers plus the prior two versions of each. It will be up to members and visitors to ensure they are using the most recent versions of their preferred web browser.
Sites of Interest
Content Management System
Site software: Hansard.
Vintage Radio & Television now enforces SSL encryption across the site. All internally hosted content is served via this secure link, including the login/logout function. Some externally linked content is not protected by SSL.